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Extra resources for American PHOTO - November December 2010
Press “OK” and the GigaPan goes to work, tripping the shutter via electronic cable while repositioning itself for each new frame. The number of shots depends on the angle covered, focal length, memory card size, computer power—and your patience while GigaPan’s software renders these gargantuan ﬁles. 44-million pixel electronic viewﬁnder instead of a conventional pentaprism and focusing screen. 2-megapixel CMOS sensor. The rest is diverted to its 15-point autofocus module, which uses a DSLR-type phase-shift detection system that’s superior to the contrast-detection AF in other live-view cameras.
Troy Paiva sets out to document what’s left of the abandoned old West—one surreal scene at a time | BY Jack crager Like many an American kid in the 1960s and ’70s, Troy Paiva spent lots of vacation time in the back of a car on the nation’s highways. “My family took driving trips across the deserts of the American Southwest,” says Paiva, now 50. “We cruised the remnants of bypassed Route 66 towns and visited real ghost towns like Bodie, California. ” That fascination led Paiva to create “Lost America,” a 21-year visual documentation of civic detritus found at the byroads, junkyards and fringes of modern civilization.
Its breadth formed a shelter from the hot sun that day,” she says. ” the tree’s garden conﬁnes would seem, in turn, to shelter it from the ravages of urban development. Yet its advanced age puts it at greater risk from environmental contagions and the changing, destructive weather patterns of the past few years. one big storm could fell it, silencing its many stories. B E LO W : © A M Y B E D I K ( 3 ) ; O P P O S I T E : © J AY D I c K M A N ( 2 ) A ny student of science will tell you that life is untenable without the fresh air furnished by leafy trees.
American PHOTO - November December 2010 by American PHOTO