New PDF release: Bearing Witness: Perspectives on War and Peace from the Arts

By Sherrill E. Grace, Patrick Imbert, Tiffany Johnstone

ISBN-10: 077354058X

ISBN-13: 9780773540583

As the centenary of the good battle techniques, electorate world wide are reflecting at the historical past, trauma, and losses of a war-torn 20th century. it truly is in remembering previous wars that we're without delay faced with the profound horror and anguish of armed clash and the expanding elusiveness of peace. The individuals to Bearing Witness don't presume to unravel those troubling questions, yet impress new sorts of mirrored image. They discover literature, the humanities, background, language, and pop culture to maneuver past the language of rhetoric and commemoration supplied by way of politicians and the army. including nuance to discussions of conflict and peace, this assortment probes the certainty and perception created within the works of musicians, dramatists, poets, painters, photographers, and novelists, to supply a fancy view of the ways that struggle is waged, witnessed, and remembered. A compelling and informative assortment, Bearing Witness sheds new mild at the influence of struggle and the ability of affliction, heroism and reminiscence, to reveal the human roots of violence and compassion. individuals contain Heribert Adam (Simon Fraser University), Laura Brandon (Carleton University), Mireille Calle-Gruber (Université los angeles Sorbonne Nouvelle), Janet Danielson (Simon Fraser University), Sandra Djwa (emeritus, Simon Fraser University), Alan Filewod (University of Guelph), Sherrill Grace (University of British Columbia), Patrick Imbert (University of Ottawa), Tiffany Johnstone (PhD Candidate, college of British Columbia), Martin Löschnigg (Graz University), Lauren Lydic (PhD, college of Toronto), Conny Steenman Marcusse (Netherlands), Jonathan Vance (University of Western Ontario), Aritha van Herk (University of Calgary), Peter C. van Wyck (Concordia University), Christl Verduyn (Mount Allison University), and Anne Wheeler (filmmaker).

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Extra resources for Bearing Witness: Perspectives on War and Peace from the Arts and Humanities

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Can there be, in fact, ethical warplay? If warplay and warfighting are as closely interrelated as (for example) rehearsal and performance in theatre, then they share ethical commons. If so, is ethical warplay a social mechanism that legitimizes the noble values of ethical war, and delegitimizes insurgent and guerilla combat as unethical? 26 bearing witness combat privilege UNITED STATES OF AMERICA v. 11 The recurring critique of warplay is that because it does not result in death or injury, it can never fully represent war.

Play rehearses life, and like all rehearsals, never really ends; life must always need to be rehearsed. If this simple proposition is defensible, it suggests that playing war is a rehearsal for waging war and, as such, can be compared to other playful rehearsals in other areas of human life. But the pervasiveness of warplay raises ethical problems not encountered in other domains. Playing war is not like playing a Barbie tea party, because warplay activates fantasy desires that most people would claim to reject.

Neither was a soldier in any legal sense, but for both of them the idea of the soldier changed the course of their lives. They Warplay: Spectacle, Performance, and (Dis) Simulation of Combat 25 are connected in the domain of war as social behaviour, but they disturb the continuum of martial masculinity that proceeds from safe performance and spectacle to licenced (that is, lawful and uniformed) combat. They disturb the boundary between warplay and warfighting to expose its tenuous provisionality.

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Bearing Witness: Perspectives on War and Peace from the Arts and Humanities by Sherrill E. Grace, Patrick Imbert, Tiffany Johnstone


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