By Fitzroy Dearborn
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the recent York occasions bestselling Freakonomics used to be a global sensation, promoting greater than 4 million copies in thirty-five languages and altering the way in which we glance on the global.
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sooner or later, lonely cubicle dweller and in a different way bored manhattan urban transplant Hannah Hart determined to make a faux cooking exhibit for a chum again domestic in California. She opened her machine, pulled out a few bread and cheese, after which, as one does, began ingesting. The video was once referred to as "Butter Yo Sh*t" and on-line sensation My under the influence of alcohol Kitchen was once born.
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Extra info for Encyclopedia of Television: 003
More mature viewers appreciated the tongue-in-cheek humor and the roman à clef references to such real-life political ﬁgures as Mahatma Gandhi and Eva Peron, interpreting it as a metaphor for the struggle common to all nations against the forces of greed, cruelty, and aggression. E. redeﬁned the television spy program, introducing into the genre a number of fresh innovations. Notably, the show broke with espionage tradition and looked beyond the cold war politics of the time to envision a new world order.
Susan R. Gibberman See also Chayefsky, Paddy; Coe, Fred; “Golden Age” of Television; Goodyear Playhouse; Omnibus; Philco Television Playhouse Delbert Mann. Born in Lawrence, Kansas, January 30, 1920. A. A. , Barbara Susan, and Steven P. S. Air Force during World War II: B-24 pilot and squadron intelligence ofﬁcer, 1944–45. Worked as director of Town Theater, Columbia, South Carolina, 1947–49; stage manager, Wellesley Summer Theater, 1947–48; director, Philco-Goodyear Playhouse, 1949–55; began ﬁlm directing career with Marty, 1954; freelance ﬁlm and television director, since 1954.
S. agent, Napoleon Solo (Vaughn), with a Soviet one, Illya Kuryakin (McCallum). Each week they were sent off on their missions (called “affairs”) by their boss, Alexander Waverly, a garrulous, craggy, pipe-smoking spymaster played by Leo G. Carroll. Neither the suave Solo nor the enigmatic Kuryakin were physically impressive. They were instead intelligent, sophisticated, witty, charming, always polite, and impeccably well tailored. Sometimes they made mistakes, and often they lost the battle before they won the war.
Encyclopedia of Television: 003 by Fitzroy Dearborn