By Helen Dunmore
The ways that the current longs for the earlier, questions it, attempts to get involved with it, and stretches the ability of reminiscence to its limits, are important to this new assortment by way of Helen Dunmore. those are poems and tales of loss and impressive rediscovery.
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Extra resources for The Malarkey
H. Blyth, A History of Haiku, Volume One ( Japan: Hokuseido, 1963), 7, 8, 40. 5. Blyth, A History of Haiku, Volume One, 1. 6. Kenneth Yasuda, The Japanese Haiku (Rutland, Vermont: Charles E. Tuttle Company, 1957), 24, 32. 7. Kobayashi Issa, The Year of My Life (Berkeley: University of California Press, 1960), 103, 104. Oraga Haru, translated by Nobuyuki Yuasa. 8. Stephen Addiss, The Art of Haiku (Boston: Shambhala, 2012), 260. 9. R. H. Blyth, Haiku, Volume IV, Autumn-Winter ( Japan: Hokuseido, 1952), 230.
Ueda, Bashō and His Interpreters, 372. 34. Gerald Vizenor, Matsushima: Pine Islands (Minneapolis: Nodin Press, 1984). 35. Haruo Shirane, Traces of Dreams, 223. 36. Issa, The Year of My Life, 139. 37. Robert Aitken, A Zen Wave (New York: Weatherhill, 1996), 14. 38. Gerald Vizenor, Two Wings the Butterfly. Privately printed in a limited edition of one hundred copies in the print shop at the Minnesota State Reformatory in Saint Cloud, Minnesota, 1962. 39. Gerald Vizenor, Raising the Moon Vines (Minneapolis: Callimachus Publishing Company, 1964).
25. Densmore, Chippewa Music, 129, 130. [ xxxiv ] 26. Nishida, An Inquiry into the Good. 27. Daisetz T. Suzuki, Zen and Japanese Culture (New York: Pantheon Books, Bollingen Series, 1959), 225. 28. Nishida, An Inquiry into the Good. 29. Blyth, Haiku, Volume 1, 272. 30. Addiss, The Art of Haiku, 170, 171. 31. Makoto Ueda, Bashō and His Interpreters (Stanford University Press, 1991), 4. 32. Haruo Shirane, Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashō (Stanford University Press, 1998), 157, 158.
The Malarkey by Helen Dunmore